Friday 20 April 2018

Jörg Rüpke publishes a new book: 'Pantheon: A New History of Roman Religion'

Q & A with Jörg Rüpke An interview with Jörg Rüpke, author of  Pantheon: A New History of Roman Religion


 In this ambitious and authoritative book, Jörg Rüpke provides a comprehensive and strikingly original narrative history of ancient Roman and Mediterranean religion over more than a millennium—from the late Bronze Age through the Roman imperial period and up to full-fledged
Christianization. While focused primarily on the city of Rome, Pantheon fully integrates the many religious traditions found in the Mediterranean world, including Judaism and Christianity. This generously illustrated book is also distinguished by its unique emphasis on “lived religion,” a perspective that stresses how individuals’ experiences and practices transform religion into something different from its official form. The result is a radically new picture of both Roman religion and a crucial period in Western religion—one that influenced Judaism, Christianity, Islam, and even the modern idea of “religion” itself. With its unprecedented scope and innovative approach, Pantheon is anunparalleled account of ancient Roman and Mediterranean religion.  


In a world where religion is changing its face in rapid and unexpected ways, how is Roman religion, two millennia older, similar?
Rome was perhaps the largest city of the world before the modern period. The religious practices and beliefs of a million people from all over Europe, West Asia, North Africa and occasionally beyond were as varied as religion is in today’s megacities. It is interesting to see how Roman lawmakers and
judges dealt with such a situation. And it is even more interesting to see how ‘normal’ citizens understood and used such a religious pluralism. Different gods at every corner, shrines on walls, polemical graffiti, people earning their living by selling religious goods and services, shaven heads or
loud music—there is more to discover and learn than the solemnity of the emperor having a bull killed on the Capitoline hill. 
Why did you invent a fictitious figure at the start of your history? 
Religion is about people claiming to have religious experiences and valuing religious knowledge. There is no religion if everybody thinks that their neighbors addressing a divine being is just ridiculous. But religious experiences or knowledge cannot be simply decreed. To understand the unbelievable dynamics of ancient religion—the invention of statues and monumental temples, to think that gods would enjoy horse races or selfmutilation, etc.—a historian needs to get an idea of what went on in people’s head. We will never know, but we can imagine. Rhea is an avatar to tell us what a woman at the beginning of the Iron Age might have thought. As the basis for these thoughts are archaeological traces of deposits, meals, tombs, hearths, etc. I thought it would be more honest to
invent such a speaker and her reflections instead of crediting an attested person without evidence that can be firmly ascribed to them. 
How do Judaism and Christianity figure in your book? 
I tell the story of nearly a millennium, from the 8th and 7th centuries BCE to the middle of the fourth century CE. From the Roman point of view, Jews show up in the second half of that period only, people calling themselves “Christians” even later, and Muslims are beyond the horizon. Apart from occasional troubleshooting in Judaea or Alexandria, it was only at the very end of antiquity that Jews and in particular Christians are important on a large scale. Before that they were simply a small minority. I tried to balance this. In terms of pages they are overrepresented. In terms of their significance they are massively underrepresented. 
What is your favorite god from this large ancient pantheon? 
I write about ancient religion, I don’t participate in it! But this was fascinating: ancient polytheism is not about large number of gods or a clear division of labor. It was about empowering (nearly) everybody to arrange and sometimes create their own divine helpers and addressees. If I pray at the end of an interview to Mercury with his quick tongue, to violent Mars and to Silvanus, lord of the endless woods, the interviewer should be careful…

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