Showing posts with label resonance. Show all posts
Showing posts with label resonance. Show all posts

Wednesday, 7 November 2018

A workshop takes place at the Max Weber Kolleg on 'Sounds of Protest and Resonance'

Workshop: Sounds of Protest and Resonance
November 13, 2018, Max-Weber-Kolleg, Erfurt

 Next, Tuesday, November 13, a workshop takes place at the Max-Weber-Kolleg in the framework of the International Graduate School on "Sounds of Protest and Resonance". Fouad G. Marei and Stefan Donath present their ongoing research on rituals and the emotive effect of sounds in protest and conflict contexts in two guest lectures. Participants are welcome.
 
Workshop: Sounds of Protest and Resonance
November 13, 2018, Max-Weber-Kolleg, Erfurt

 PROGRAMME
14.15–14.30 | Andreas Pettenkofer (Max-Weber-Kolleg)
Introduction
14.30–15.15 | Stefan Donath (Freie Universität Berlin,
Research Centre “Interweaving Performance Cultures”)
Choruses of Protest: Towards a New Aesthetics of Resistance
15.15–15.25 | Marcus Döller (Max-Weber-Kolleg)
Comment to the paper
15.25–16.00 | Chair: Juhi Tyagi (Max-Weber-Kolleg)
Discussion
16.30–17.15 | Fouad Marei (Max-Weber-Kolleg)
Feeling Sectarian? Shi’i Ritual Practice, Affective Relations,
and Holy War in the Middle East
17.15–17.25 | Anita Neudorfer (Karl-Franzens-Universität Graz)
Comment to the paper
17.25–18.00 | Chair: Andreas Pettenkofer
Discussion

 For more infomation:

https://www.uni-erfurt.de/fileadmin/public-docs/Max-Weber-Kolleg/6_PDFs/Tagungen/2018/Aushang_Workshop_Sounds_of_Protest_and_Resonance_2018.pdf

Wednesday, 13 June 2018

Anton Röhr gives a paper on 'Ready? Play! An Essay on the Relation between Ritual and Resonance in Tennis'

This paper tries to connect the abstract philosophical thesis of my dissertation about the relation between „ritual“ and „resonance“ with a specific topic, which is tennis. For that it analyses (in the first chapter) World-Self-Relationships in the domain of tennis and tries to point out moments of resonance, that can be experienced by players and spectators. After that, this Paper focuses (in its second chapter) on the fact, that resonance can never be completely controlled and predicted, which is an issue especially for the Players on court. Finally (in the last chapter) this Paper tries to develop an understanding on how rituals help tennisplayers to get in resonance with the game.

Sunday, 24 September 2017

"Resonant Self–World Relations in Ancient and Modern Socio-Religious Practices" - introductory videos

The new International Graduate School Erfurt-Graz on

 "Resonant Self–World Relations in Ancient and Modern Socio-Religious Practices"

has produced 10 exciting introductory videos which speaks to you to invite you to join our work.












While the infrastructure is now being secured through two generous grants by the BMBF and the Deutsche Forschungsgemeinschaft and the Austrian Science Foundation, we are looking to attract further grant resources to foster the research in this stimulating research field.

Thursday, 23 March 2017

Charles Taylor, famous philosopher and social theorist, in Erfurt



Charles Taylor, Canada, one of the pioneers of communitarianism, will hold two one-day international workshops at the Max Weber College of the University of Erfurt in May 2017. On 2 May (‘Resonance, Romanticism and Critical Theory’) is concerned with the question of the extent to which romantic thinking can be critically opposed to accelerated modernism. Is romantic thinking merely a longing for the past, or is it a criticism moving forward, so that critical theories can still learn from it today? At the first event, Prof. Hartmut Rosa, whose award-winning book Resonance - A Sociology of World Relations (2016), is regarded by some critics as a romantic work, as well as members of the Graduate College, Jena University, ‘Modellromantik’ will be present. In the follow-up workshop on 11 May the linguistic roots of Taylor's The Language Animal, on which Taylor is currently working, will be discussed with regards to the linguistic foundations of a romantic ‘criticism’. The question will be asked: What exactly is poetry in romanticism? What is the understanding of language, and how has both post-romantic poetry and philosophy influenced it? Is it merely a subjective longing, or are dimensions of reality surface in a too rationalized world view and a purely instrumental world relationship which reveals that the world must not look cold and silent? But how can these dimensions be retrieved philosophically today without being an esoteric or subjective endeavour?

Christoph Henning, one of the organizers of the workshops, says about the significance of the workshops in the Max Weber program's research program: ‘Normativity, which is often the basis of social criticism, mostly relies on evidence of the participants’ daily lives. If one asks, however, for the sources of these evidence-based phenomena, often aesthetic phenomena play an important role, too. If one wants to scrutinize social criticism, one has to question these so-called daily experiences: are they sufficient to not only stipulate, but also give reason for criticism? How would one need to specify such aesthetic or romantic criticism? Charles Taylor's extensive work on the history of ethical thinking since the modern age, as well as on theories of action and language, invites the reader to take a closer look at more recent approaches such as those of Hartmut Rosa.’

The workshops are both held at the Max-Weber-Kolleg. The number of participants is limited, and interested parties are asked to register with Christoph Henning (christoph.henning@uni-erfurt.de).

Tuesday, 3 May 2016

Nature and Culture - an International Conference (Ontario, May 5th and 6th, 2016)

Keynote Speaker
Prof. Dr. Hartmut Rosa, Friedrich-Schiller University of Jena and 
Max Weber Center for Advanced Cultural and Social Studies at the University of Erfurt (Germany)
The conference will be held over two days, on May 5th and 6th on the campus of McMaster University in Hamilton, Ontario, Canada and at the Workers Arts and Heritage Centre in Hamilton and will bring together senior scholars from Canada, Germany, Mexico and the United States with junior colleagues and graduate students who will present papers on their work in the areas covered by Lawrence Krader’s major work, Noetics and related fields.
The main reference work for the background to the conference is: Lawrence Krader (2010). Noetics: The Science of Thinking and Knowing. (C. Levitt, ed.). Peter Lang: New York. Washington, D.C., Baltimore, Bern, Frankfurt, Berlin, Brussels, Vienna, Oxford.
An intellectual biography of Krader and an overview of Noetics, are contained in the Preface and Introduction to that work, written by C. Levitt and can be downloaded from the website:http://lawrencekrader.com/content/noetics.
If you are interested in working on any of the unpublished manuscripts in conjunction with the project, please contact one or the other of the conference organizers.

Conference Outline

The conference will aim to take up a number of themes developed in Krader’s Noetics that bear a relationship to many aspects and lines of development in a variety of intellectual traditions including: Pragmatism, Critical Theory, Symbolic Interactionism, and Anthropology. Krader maintained a correspondence with John Dewey in the late thirties and engaged in discussions with Sidney Hook around the same time. In 1957 he was offered a job by Adorno and Horkheimer at their Institut für Sozialforschung which he declined. His development of a theory of self, person and persona has significant points of contact with that of George Herbert Mead and like Mead, Krader was concerned with the human being’s place in nature. One of Krader’s major points of emphasis in Noetics is related to a new theory of nature and the role of culture within it. Having won the coveted Ketchum Prize in the history of philosophy at CCNY as a senior undergraduate, and having begun a study of the philosophical implications of quantum theory along with developments in the history of mathematics, Krader argued that nature is not reducible to matter but rather contains within it – and there is nothing beyond nature – different orders which vary according to their different systems of space-time. In theory there may be n-orders of nature, but Krader identified three: the material order, the quantum order and the human order. These three orders of nature are related by nexus and difference and their interrelations are to be understood in terms of Leibniz’s theory of passage. Whereas the material order of nature is concrete, ‘thingly’ and direct, the human order is abstract and concrete, objective and subjective, and in which relations are mediate and immediate. In Noetics Krader takes up the dualisms of German Idealism, which include along with those mentioned above: thinking and knowing, theory and practice, mind and body, structure and agency, activity and passivity, among many others, and integrates them into his theory of the human order, arguing that they constitute the differentia specifica of the human order of nature. With Krader’s theory one can read the history of the relationship between nature and culture in a different light. Durkheim, especially in the The Elementary Forms of Religious Life, struggled to understand sociology as a natural science of culture, but he was faced with a nature that was homogenous and dominated by the materialist model. George Herbert Mead in his posthumously published work, Mind, Self and Society began with Darwin and argued that out of the biotic social organization of the gregarious animals a symbolic social order was extruded which could not simply be reduced to the material-biotic order. Krader systematizes this view and argues that whereas we can talk of evolution in the material order, we speak of development in the human order of nature. By means of this international conference and workshop, we will examine the relationship between nature and culture in the approaches of Pragmatism, Symbolic Interactionism, and Critical Theory.
The presentations during the conference will take in aspects of the following areas and theoretical approaches: Symbolic Interactionism, Cultural Theory, Sociology of Knowledge, Arts and Aesthetics, Language and linguistic theory, and Neuroscience.
On the second day of the conference, a workshop will be held at the Workers Arts and Heritage Centre featuring an exhibition of biographical material related to a number of New York Jewish intellectuals who participated in the passionate Alcove One debates at City College during the late 1930s, and a panel discussion based on the book and documentary Arguing the World (1998) will be led by Prof. Dr. Neil McLaughlin, from McMaster University. In addition, a presentation of material from Krader’s period at CCNY in relation to his interactions with the other budding New York intellectuals will be on display. Theoretical or empirical papers that relate their data or theoretical reflections back to one of these traditions, or to the various fields covered by Noetics (2010) are welcome. One of the key concerns of the conference is to take one of the two days into the community as a key element of outreach as part of the university’s mandate. The conference aims to bring together people from different areas and interests to share ideas and explore various discussions which are innovative and exciting. Selected papers may be developed for publication in a themed edited volume.
Lawrence Krader was born in New York City on December 9, 1919. Although not a famous public intellectual, he was offered appointments to America’s top-ranked universities over the years. He began his studies at the City College of New York (CCNY) in 1937 where he studied philosophy with Morris Raphael Cohen, graduating with a Bachelor of Arts degree in 1941. His excellence in the area of the history of philosophy won him the covered Ketchum Prize in that field.
In 1939 he spent a year at the University of Chicago with Rudolf Carnap, after which he returned to CCNY to serve as Alfred Tarski’s research assistant. (Tarski came to CCNY after Bertrand Russell’s appointment was blocked by the NYC administration of Mayor Fiorello LaGuardia. Krader was to have served as Russell’s research assistant). At City Krader helped Tarski translate his book Introduction to Logic from Polish into English, an effort which Tarski acknowledged in the Introduction to this translation.
Krader was appointed to a position at the Far Eastern Institute at the University of Washington in 1947 by Karl August Wittfogel. It was there that Krader met and befriended Karl Korsch who had come to visit his old friend Wittfogel. Korsch and his wife Hedda were then domiciled in Cambridge, MA and Krader continued his friendship with Korsch when he moved to Cambridge to begin his doctoral studies at Harvard University in 1949. It was at Korsch’s behest that Krader transcribed, edited and introduced The Ethnological Notebooks of Karl Marx (1972).
Krader turned down several offers of appointment to Harvard University where he completed his doctoral dissertation in 1954 on “The Kinship Systems of the Altaic-speaking Peoples of the Asiatic Steppe.” Just prior to completing his doctorate, he married Dr. Barbara Lattimer, an accomplished linguist and ethno-musicologist, whom he had met while attending Roman Jakobson’s graduate linguistic seminar at Columbia University where his future wife served as Jakobson’s research assistant.
Krader taught anthropology at the University of Ohio, the University of Syracuse and the City University of New York, as well as linguistics at the Massachusetts Institute of Technology (MIT) where he was offered a position in linguistics by Ithiel de Sola Pool. From 1969-1972 he was the Chair of the Department of Sociology and Anthropology at the University of Waterloo in Canada.
His last academic appointment was as Professor and Director of the Insitut für Ethnologie at the Freie Universität Berlin from 1972 to 1982. As Professor Emeritus he composed more than 150 manuscripts on a wide variety of topics in philosophy, anthropology, linguistics, history and related disciplines until his death on November 15, 1998.
He endowed The Lawrence Krader Research Project at McMaster University in Hamilton, Ontario under the direction of Prof. Cyril Levitt. The Project has been functioning since May 2008 having published two of Krader’s collections of manuscripts including Labor and Value (2003) and Noetics (2010).
 

Monday, 2 May 2016

Mark Porter is presenting a paper on 'Singing, resonance and ascetic struggle'

In my work at Max-Weber I am interested in exploring ideas of resonance in relation to Christian congregational music. In contrast to common contemporary ideals of authenticity, the idea of resonance allows the opportunity to foreground bi-directional back and forth relationships in sonic, social and spiritual realms. Through a series of exploratory case studies I am exploring the nature of such relationships and the potential for such an approach to illuminate and bring together aspects of congregational music not typically foregrounded in this manner.


Following my previous exploration of theories of resonance, in this paper I explore my first case study: the 4th century desert fathers. The music of the desert rarely takes a prominent role in discussions of church music history, we have no surviving musical scores, we have no grand theories about the role and nature of music, in fact we have remarkably little discussion of it whatsoever. It is not a moment which obviously serves to advance musical composition in any substantial way, and music is very much a background rather than foreground presence in most of the surviving writings. In contrast to such neglect, I suggest that attention to patterns of resonance, and an exploration of singing within its broader bodily, spiritual and spatial ecology serves to illuminate desert psalmody, presenting with utmost clarity an individual’s struggle as they attempt to pursue with single-minded, but often- frustrated determination their path of spiritual and bodily destruction, formation and witness.

Thursday, 28 January 2016

Mark Porter gives a paper on 2.2.2016: 'Sounding back and forth: dimensions and directions of resonance in congregational musicking'

In this paper he aims to lay some initial conceptual foundations for later exploration of particular case studies in terms of resonance. He is going to survey existing social and sonic usages of the term and suggests the need to hold together a number of different understandings in order to take full advantage of resonance’s messy and expansive ability to point towards multi-directional and multi-dimensional complexes of relationships surrounding the activity of congregational music. He suggests, rather than aiming to arrive at a strict definition of resonance as a phenomenon, that it is useful to allow a degree of messiness and suggest, instead, that a list of questions might serve as a more useful starting point for further exploration.

The paper is part of the larger project on 'Axes of resonance in Christian congregational music':
 
The rise of contemporary worship music in the latter part of the 20th century has been bound up closely with ideals of personal authenticity. The use of popular musical styles in church is, at least in part, the result of a pragmatic desire for the music of the church to act as a natural expression of worshippers’ everyday lives, whilst at the same time the need for ‘personal sincerity’ in worship has resulted in an emphasis on the role of the individual’s inward attitudes in the activity of sung worship. As my own recent work, alongside that of a number of others has highlighted, this project has come to face numerous challenges over the course of its development: the diversity of musical lives present in contemporary society calls into question any straightforward relationship between individuals’ musical lives and the music employed in a congregational environment, whilst discourses and ideals of personal authenticity have led to contradictory and problematic dynamics as they have collided with the performative spaces of the commercialised worship industry and the social dynamics and needs of local church communities.

Such analyses are not limited to the academic realm, and a number of popular commentators have charted a generational retreat away from the pragmatic strategies of contemporary worship music environments. Sensing the need to articulate new understandings, some individuals have found themselves turning to alternative models and ideas in order to understand the contemporary musical practices they find themselves embedded within, exploring, for example an understanding of worship as a formational practice or as a sacramental activity. Such ideas challenge the notion of musical worship as a product of the authentic self in favour of the self as produced by and receptive of divine and social dynamics as transmitted through music. However, at the same time, they continue an on-going quest which sets out to describe and prescribe an appropriate relationship between the individual and the social, spiritual and musical context that they find themselves in within congregational worship.
Such dynamics can usefully be illuminated by an appeal to Hartmut Rosa’s application of the concept of resonance. We can understand the quest for authenticity in musical worship as one particular attempt at forming a resonant relationship between individual, world, group, music and the divine. The individual, through a dynamic of authenticity stemming from both protestant theology and consumer ideologies, is able to appropriate the world around them through its reflection of their everyday self and through their investment and expression into it of their inner spiritual devotion. If this relationship breaks down, then we can ask whether this might be a result of the situation of the contemporary worship music industry’s appropriation of and situation within the paradoxical dynamics and conditions of modernity. At the same time, we can potentially see the quest of the Millenials as a search for alternative models of world resonance, embarking on precisely the same task as a previous generation of worshippers but setting out on a range of different paths in order to do so. This research project will take such contemporary dynamics as its starting point in order to explore the concept of resonance as it applies to Christian congregational music. If the quest for resonance through patterns of personal authenticity has found itself encountering significant challenges, then what axes and processes of resonance can we trace through Christian congregational music’s long and diverse period of existence? What forms of resonance does congregational music permit? What processes have enabled individuals to appropriate this musical and social environment in a resonant manner? How do social and sonic theories of resonance complement, contradict or combine in congregational music?