The paper deals with the
question of conditions for individually construction of a national-Jewish felt
art music. An autobiographic inside into the important stages of life of the composers
Joachim Stutschewsky and Arnold Schoenberg manifests the Neue Juedische Schule as a movement with open and fluent boundaries.
The art-musical inclusion of tradition and ritualism rather go beyond the frame
of the association as a part of individually (Jewish) self-placement.
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