Thursday 5 April 2018

Janico Albrecht presents a working paper on 'The transvectio equitum of Pompey the Great in 70 BC'

In my project on Roman religion my interest lies in the interface setting between the civil and the military context (domimilitiae). It is easily observable that occasions of transition (e.g. departure and return of the army) were always religiously framed. I am taking into account both the structural composition of such events and the options for individual orchestrations – which is also reflected in the two main parts of this colloquium paper which first treats the ritual of the transvectio and then the singular performance of Pompey in 70 BC.
The aim is to sharpen our awareness of contextual and situational factors that influenced religion in an area of society which was not pervaded by ‘sacred law’ but rather relied on a variety of other determinants: logics of interdependence between military success and divine support, relation to precedents (imitation, innovation), appealing presentations of religious claims to different audiences (soldiers, citizens, senators) and so on.
Here, the figure of the imperator (the general) emerges as a religious entrepreneur who, other than most priests in the city, was barely restricted in his choice of religious measures once he had left Rome. Of course, there were requirements and expectations – from a usually highly aroused soldierly audience and also from the senatorial peers at home. But in the first place, there was a war to win and here the end (or rather the result) justified the means. It comes a no surprise that there is an abundance of stories about famous Roman victories including extraordinary religious behavior by the imperator and curious narratives about divine interventions.
The appearances of the Dioscuri treated in this paper are the perfect example for this ‘field-born’ kind of religion and they serve well to demonstrate the interconnectedness with the civil (urban) context which was significantly shaped by the actions of the imperatores: Temple constructions, yearly games or religious festivals resulted from their battlefield vows and were financed by the loot. Sometimes even the gods themselves who received the cultic attention were ‘spoils of war’ acquired from the enemy.
Unsurprisingly, moments of return of victorious generals and armies had a great impact on the elite stratification since they also marked the moments of reintegration: of the soldiers into civil society and of the general into the senatorial environment. Ideally, a triumph would commemorate this occasion as well as offering the imperator the opportunity to present himself with his army in the city – something that was otherwise unthinkable except for violent transgressions during civil wars.
When writing about religion in a military context there is a ‘natural’ focus on the most famous figures of Roman history who were usually generals. Not only do they have a disproportionally high presence in the sources from a quantitative view but they are also the ones around who the most interesting narratives of religious behaviour revolve. Since I don’t intend to write a history about the ‘big men’ and how they appropriated religion, it therefore sometimes becomes a bit of a balance act to squeeze from their personal stories information that can be generalized to a certain extend.
The present colloquium text is an attempt to do exactly that. Still, for the bigger frame in my dissertation it is necessary to cover the historical background of Pompey – something which I have largely excluded from this paper. In my PhD a deeper analysis of Pompey, his predecessors and the prevailing circumstances antecede the discussion of the transvectio. One of the resulting questions aims at understanding the (historical) reasons for Pompey extraordinary deed. This, in turn, is something I entirely excluded from this paper in the hope of being able to extract something worthwhile by confining my view to the curious ritual of the transvectio and Plutarch’s dense account of how Pompey used the occasion to stage his role as imperator.

No comments:

Post a Comment